Long in the making...

The following peerage scroll was a long time in the making, but it is finally finished and has been given to the person it was for.

Size: 16 x 20
Support: Perg
Paint: Mixed pigments with gum arabic binder
Gold: 23 kt leaf

Special Project for Special Thank Yous

The past four years our local group has been using a church to host our Yule event at, and I was asked to create a special piece of illumination and calligraphy to help thank one of the churches individuals for all of their work on our behalf. It's not in the pictures below, but I eventually added our groups leaders first initials on the last line of the second page for them.

Materials include:
Parchment from Pergamena
Iron Gall ink made by Ian the Green
Cut quill pen, lead tin stylus, various medieval pigments

Rough draft of design and calligraphy on modern papers

Ruling out my lines, using a lead tin stylus

I forgot to get a picture of just the calligraphy, at this point, I had started adding other details

Gesso has been applied to the areas I want to add gold leaf to.

Started the leafing, one of the "two pages" finished.

Started laying the base colors

Adding layers to being out details.

Finished

Close up of "page 1"

Close up of "page 2"

Yule 2015 Invitation

For the 2015 yule event for my local group, I tried out a different style.  It's modeled after a few different later period manuscripts.  I combined the split inside and outside views along with a feasting and dancing scene. I worked on this piece off and on over a few days.

Tourney Letters

A couple of letters of intent to various Queen's Champion Tourneys for a wonderful friend.

Fall Coronation Invite

I was asked to do a nice invitation for Ansteorra's fall coronation.  It took me a few days to get it finished and turned out rather nicely.

Owen's Chivalric Quest Book: Part I

Owen's Chivalric Quest Book has been completed and presented, so I'll be getting into it's creation and process.

You can find a documentation write up, here.

Once all the calligraphy was finished, we started drawing the illumination part of the project.  We did a page with miniatures at the start of each section, and every page of calligraphy received at least a boarder.  In total there are 170 pages that were drawn on and painted.

Adding Drawings.

 We mixed our own paints, besides for the gold.  It would have saved some time and fussiness if we had gone with store bought paint for all of our colors.  We went through two to three batches of paint for the major colors.

Nic mixing pigments to paint.

We painted the base colors on each page.  If I had the space I would paint one side of every sheet in a gathering at a time.  By the end of the project, we had figured out how to assembly line the illumination.

base painted areas

Drawing the black lines around the painted areas made it look really dark.  We ended up having to remind ourselves many times that the white work would make it look better.

outlined in black

 Adding the white work brought everything together.  This the the stage we started getting excited about how things were turning out.

Finished sheet.

Terick's Hammer

I was asked to produce an award certificate to honor a teen. A fire happened at his home and he perished in it. The young man was special to the various SCA groups in the Oklahoma area, so after some brainstorming, an extra special award certificate was requested. The follow pictures document the process of creating Terick's Scroll. The Scroll was given out at Wiesenfeuer Baronial 2014. The size is 10 in x 13 in and from start to finish, time spent working was spread over 4 days. Materials include parchment, 23kt gold leaf, ink and paints created with period recipes.

Practice calligraphy

Inked Illumination layout

Layout and drawing completed using a lead-tin stylus.

Calligraphy finished.  Used a carbon ink for the black text and real vermilion for the red text.

Minor Initials and boxes for line fillers added

23kt gold leaf being added

Gold leafing finished.

While modern tests have reviled that azurite was used instead of ultramarine on the Macclesfield Psalter, I used ultramarine pigment for my blue as I don't have any azurite currently.

Red Lead paint being added. 

Added the second red, instead of a plant based pigment that would fade with time being exposed, I used vermilion.

Last of the base colors added. A green and lead white on the figures clothes.

Details added to the figures and black lines started to be painted.

Detail image of one of the figures.

Black lines finished on both pages.

White work done with lead white. Finished picture - no flash.

Finished with flash on.